![]() In fact it uses a sensor area most similar to that of Panasonic's GH5S. It's worth noting that, with its 1.8x crop in 4K mode, the EOS R is nearer to being an APS-C/Super 35 camera than a full frame one. Keep in mind that this does not allow us to evaluate things like rolling shutter or the efficiency and effectiveness of the video codec, but it does allow us to see how the camera is sampling the scene and the maximum amount of detail capture possible. Now, let's take a look at the EOS R in front of our studio scene. That said, hardcore vloggers may like the combination of 4K video, dual pixel AF and a flip-forward screen, and relatively inexpensive EF-S glass lets them get a suitably wide-angle view. In all, the EOS R is really difficult to recommend for most video shooters. We're pleased to see that Dual Pixel AF has been incorporated for 4K shooting in the EOS R, but even this feature is flawed and we noticed more hunting than we would expect when using autofocus. You can capture video internally at very high bitrates (though this is of questionable utility considering the soft video), and you can output 10-bit Log footage, allowing you to make the most of the camera's dynamic range. You can use Auto ISO with exposure compensation in manual movie mode, so you can dial in your shutter speed and aperture as you like and have the camera gain up or down depending on the lighting. If you need to ramp your aperture up or down, it does so smoothly (some competitors still move in 1/3-stop 'jumps,' which can be jarring). On the plus side, we found battery life while shooting video to be a strong suit. Having to switch lenses when you move from stills to video just isn't practical for many people Once you begin recording, you lose any ability to see a histogram, and there are no zebra exposure warnings to be found. Capture aids aren't great either, unfortunately. The digital image stabilizer softens output noticeably, and causes artifacts in the corners of your footage. Without an in-body stabilizer, it can be difficult to get smooth hand-held footage and keep your horizon straight, even with a stabilized lens. ![]() Having to change lenses when you move from stills to video just isn't practical for many people.Īnd though we found that the color output from the EOS R is really pleasing, there's an awful lot that's working against it as a video camera. Although you can certainly find lenses - particularly EF-S lenses meant for the company's crop-sensor DSLRs - that will allow you to shoot at fairly wide angles with the EOS R, this is a particular problem for stills and video hybrid shooters. ![]() The EOS R is subject to the same rather extreme crop when shooting 4K that the older EOS 5D Mark IV exhibits.
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