See if any inspiration comes from other films, photography, or anything else comes to me just when I'm reading it. Overton: When I get the script, I'll read it a few times first and see what jumps out at me. What were your visual inspirations as you were settling on that look and finding that tone? NFS: So you mentioned the look, and that was going to be my next question. She'd done one feature film before, Always Be My Maybe, but we had a great relationship on a couple of projects, Young Rock, and I worked with Fresh Off the Boat a little. I had worked with a director, Nahnatchka Khan, a number of times on television, and that was her main background. Judd Overton: It was a lot of fun to make as well. No Film School: This a fun Halloween film to have going into the season. Totally Killer - Official Red Band Trailer | Prime Video Editor's note: this conversation has been edited for length and clarity. His advice is super specific and helpful, so enjoy it below! We spoke with Aussie director of photography, Judd Overton, via Zoom ahead of the film's release. ![]() She finds herself befriending a younger version of her mom, all while trying to identify the slasher before he kills again. The film, directed by Nahnatchka Khan, is a romp of a horror story starring one of our favorite scream queens, Kiernan Shipka, as a stubborn teenager who trips back in time and decides to stop a series of infamous murders. cube files into your timeline to apply the grade. Pixel Frame Studios has a free plugin dubbed FCPX Loader that allows you to import your own designed LUTs. Once loaded, you can apply the LUT. Adding a LUT to your footage is usually the first step in the color grading process, and if you're like me, usually the last, too.įCPX does provide several built-in LUTs in the Inspector under Log Processing-including ARRI LOG C, Blackmagic Design Film, Blackmagic Design 4K, Canon Log, Sony S-Log2 and Sony S-Log3-but, currently, you need to use a third-party plugin if you need to import your own custom LUTs. They change the color of an image by capturing the in-camera log color space or flat profile, and then converting that image to the color space of the designed LUT. So what is a LUT? Jay Friesen went in detail about LUTs in a previous post, but essentially Look Up Tables are mathematical calculations that make up the difference between the source and result. We found a few solutions to show you how you can. ![]() Sure, you can get similar LUTs in Premiere and Resolve - however, I believe the LUTs in FCPX feel more pristine and polished, and they ultimately yield a better final image.If you're using Apple's Final Cut Pro X (v 10.2.3) to edit, you've probably run across its built-in LUT (Look Up Table) and found the inability to add your own LUTs natively. ![]() 709 color space, and FCPX has a number of high-quality camera conversion LUTs built right in.Īs someone who almost always films in Canon LOG 2, having a quick conversion LUT is vital. Shooting in any LOG format begs for a LUT to quickly grade the footage back to a palatable REC. Take a closer look at a few of them following this general “how to” tutorial that covers the fast and easy basics of working with color in FCPX. Nonetheless, with the right tools, eye-catching color is well within the reach of every videographer.įinal Cut Pro X features a pretty wide selection of built-in tools that can help video editors nail their desired aesthetic. Let’s look at how these tools can help you elevate your color process.Ĭolor grading skills take time to refine and develop, and legitimate expertise requires practice and experience. FCPX’s array of built-in tools allows you to get the best color possible out of your videos.
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